This late-19th-century French cobbler’s sign is painted on a single plank of wood and meant to be read from one side only, it advertises the services of Louis Duvary with no fuss and no nonsense. Just shoes, repairs, and the promise that someone inside knows exactly what they’re doing.
The hand-lettering is the star here. Tall, slightly imperfect letters sit against a deep, wine-colored background, layered with warm golds, creams, and soft shadows that give the whole thing some depth. You can still see the brushstrokes, the touch of the sign painter’s hand, and the subtle spacing choices that make each word breathe. It’s graphic, but human. Decorative, but hardworking.
Time has done its part, too. The surface shows honest wear, scuffs, and small losses that only add to its character. The wood has darkened and softened, the paint has mellowed, and the overall effect feels beautifully settled, like it’s been exactly where it belongs for more than a century. Measuring roughly 32 by 16 inches.
This late-19th-century French cobbler’s sign is painted on a single plank of wood and meant to be read from one side only, it advertises the services of Louis Duvary with no fuss and no nonsense. Just shoes, repairs, and the promise that someone inside knows exactly what they’re doing.
The hand-lettering is the star here. Tall, slightly imperfect letters sit against a deep, wine-colored background, layered with warm golds, creams, and soft shadows that give the whole thing some depth. You can still see the brushstrokes, the touch of the sign painter’s hand, and the subtle spacing choices that make each word breathe. It’s graphic, but human. Decorative, but hardworking.
Time has done its part, too. The surface shows honest wear, scuffs, and small losses that only add to its character. The wood has darkened and softened, the paint has mellowed, and the overall effect feels beautifully settled, like it’s been exactly where it belongs for more than a century. Measuring roughly 32 by 16 inches.
